Recognized by critics as offering “tremendously sensitive direction” and being “a gifted and spirited conductor,” Philip Bauman currently serves as music director of the La Porte County Symphony Orchestra, conductor of the Northwest Indiana Symphony Youth Orchestra and conductor of the South Suburban College Orchestra. Known for his charismatic presence on and off the podium he is frequently hailed for his innovative programs and consistently captivating performances.
In 2017, he was a finalist for the music director position with the Carmel Symphony Orchestra (IN). In the summer of 2014, Mr. Bauman led a successful concert tour conducting in Austria and Germany. Performances were held in Vienna, Munich and Salzburg where he led the concluding ceremony of the International Cantus MM Music Festival. A passionate advocate for music education, Mr. Bauman is dedicated to exploring music with young people through educational concerts and work with youth orchestras.
During his tenure at the La Porte County Symphony, he is credited with significantly raising the orchestra’s artistic level and spearheading collaborations with other non-profit organizations. Since his arrival in 1994, the audience has more than doubled in size and the budget expanded three-fold. As a result, orchestra personnel has grown to encompass an expanding geographical area. Moreover, the orchestra now attracts guest artists of national and international acclaim.
…drew a clean, buoyant and lively reading …The final scenes in fact were deeply moving.” – Chicago Tribune (Four Saints in Three Acts).
Through his work with Chicago Opera Theater, The Opera Factory, Light Opera Works, da Corneto Opera and the Jarvis Conservatory, Mr. Bauman continues to be a highly respected conductor of the stage. His 1993 performances of Four Saints in Three Acts with Chicago Opera Theater were unanimously praised by the press. John Von Rhein, music critic of the Chicago Tribune said of his performances, “Philip J. Bauman drew a clean, buoyant and lively reading from the 21- piece orchestra, coordinating stage and pit very well. The final scenes in fact were very moving.”
[expand title = “Read more…” swaptitle=”Read less…”]
Mr. Bauman made his podium debut with Chicago Opera Theater in 1989, when as assistant conductor, he led the season’s final performance of Romeo and Juliet on five minutes’ notice. Since that dramatic and successful debut, he has had a ten–year association with the company and has conducted highly acclaimed performances of Where the Wild Things Are, Carousel, Count Ory , La Traviata, A Waterbird Talk and The Medium with Metropolitan Opera star Mignon Dunn. In 1994, Mr. Bauman once again stepped in on short notice, this time with the Elgin Symphony for the ailing Margaret Hillis; Bauman conducted a subscription concert to much acclaim.
In 2013 the pinnacle of the da Corneto Opera company was Bauman’s exhilarating concert performance of Nabucco. Mr. Bauman has conducted Adios a la Bohemia, Bohemios, La Purpura de la Rosa and two productions of Manuel de Falla’s La Vida Breve for The Opera Factory, Desert Song and Princess Ida for Light Opera Works, and Nabucco, Attila, Don Carlo, Lucrezia Borgia and Verdi’s Requiem with the da Corneto Opera Ensemble. He has conducted The Saffron Rose, La Revoltosa, Agua, Azucarillos y Aguardiente, Doña Francisquita, La Alegria de la Huerta and Gigantes y Cabezudos for the Jarvis Conservatory in Napa, California, El Barbero de Sevilla for the Amarillo Opera in Texas and The Opera Factory, in addition to traveling to Idaho to conduct the Boise Opera in productions of Carousel and South Pacific. In Michigan, Bauman has conducted Rigoletto and I Pagliacci for Opera at the Acorn, and La Boheme for Harbor Country Opera. In the Chicago, Illinois area he has served as music director and conductor of The Opera Factory, the Chicago Brass Choir, the Lake Shore Symphony Orchestra and the Metropolitan Youth Symphony Orchestra, and as director of orchestras at Carl Sandburg High School in Orland Park.
Mr. Bauman spent 13 years as an associate conductor with the Elgin Symphony where he conducted over 100 performances encompassing subscription, pops and educational concerts. For five seasons he served as assistant conductor of the Northwest Indiana Symphony Orchestra appearing on Pops and Classical concerts. He has also conducted the Wheaton Symphony, da Corneto Opera Ensemble, Indiana Opera North, the Downers Grove Oratorio Society, North Shore Chamber Orchestra, Camerata Youth Symphony Orchestra, Suburban Youth Symphony, DuPage Repertory Theater, and Circle Theater of Forest Park. He holds a Master’s Degree in Orchestral Conducting from Northwestern University and a Bachelor’s Degree in Music Theory from Western Michigan University.
Phil has made his home in the Chicago area for over 25 years. Now living in the suburbs, he and his wife Lee enjoy shuttling their teenage son to band practice and scouting events. Family activities include biking, walking, testing out new grilling recipes or taking road trips that allow them to experience new adventures. Their home is overflowing with original paintings created by his wife who is an established artist.[/expand]
WHEATON SYMPHONY ORCHESTRA
“Bauman was in command on the podium. He was quite animated with big sweeping baton motions. Bauman and the WSO did their part to make this a truly magical performance of the the Walton Violin Concerto. The orchestra boldly captured all the hot blooded emotions of this piece [Turnia’s Danzas Fantasticas] and gave us a performance to fondly remember.
Jim Edwards, Beacon News (2008)
LAPORTE COUNTY SYMPHONY ORCHESTRA
“Under Bauman’s leadership, the phrasing had line, shaping a musical statement.”
“The players deserve a lot of credit for this success but Bauman must be congratulated on his successful nurturing and caring for this orchestra. For it is the musical insight of the conductor which allows the successful performance. He must mold the shape of things to come and steer the ship safely into port.”
Robert Dure, LaPorte Herald-Argus (2002)
“Bauman gave tremendously sensitive direction and coaxed from his musicians a memorable performance. He is to be commended for guiding the LaPorte County Symphony Orchestra to broader musical horizons and sharing with this community his obvious love of opera”
Sherrie Lizarraga, LaPorte Herald-Argus (1998)
CHICAGO OPERA THEATRE – Four Saints in Three Act
“Don’t try to find Meaning in Steins cunning word games or Thomson’s Missouri-flavored music, and you’ll have a wonderful time at ‘Four Saints.’ Thomson’s score, a faux-naif melange of waltzes, tangos, fox trots and ersatz Baptist hymns is the devil to perform properly. The musical prosody involves constant tempo changes to challenge the alertness of the singers and conductor; and Stein’s endless repetitions require the most precise ensemble as solo lines and choral refrains career back and forth. But Philip J. Bauman drew a clean, buoyant and lively reading from the 21-piece chamber orchestra, coordinating stage and pit very well in a performance that grew more secure as the two hours progressed. The final scenes in fact were deeply moving.”